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CV
Born in Ekaterinburg, Russia, 1990
Lives and works in Milan
Master of Arts, Royal College of Art, London, UK, 2017
Master of Science, Loughborough University, Loughborough, UK, 2012
Bachelor of Science, Ural State Academy of Architecture and Arts, Yekaterinburg, Russia, 2011
shows and projects:
2022
‘Devyanostie’, Cassina Projects, Milan, Italy
2021
‘The Kiss We Didn’t Have’, SIDERA (hosted by Podbielski Contemporary), Milan, Italy (solo)
‘My Fragility, My Strength’, Beatrice Burati Anderson Art Space and Gallery, Venice, Italy (duo)
2020
‘STORAGE’, Beatrice Burati Anderson Art Space and Gallery, www.venicegalleriesview.com/storage (online)
’In-Edita’, DEDALO All Opera, Guest Artist from Beatrice Burati Anderson Art Space and Gallery, Forte Marghera
2019
‘Skiing Home’, curated by Ilaria Porotto, Spazio Norbert Salenbauch, Venice, Italy (solo )
‘Premio Cairo’, Palazzo Reale, Milan, Italy
‘Whatever Whenever’, Silos Art Inside, Venice, Italy
2017
‘Cos’è L’Arte’, Galleria del Disegno, curated by Tommaso Trini, Mantua, Italy
‘RCA Degree Show’, Royal College of Art, London UK
‘Lost Senses’, Guest Projects, curated by Linda Rocco and Isabel Blanco Fernández, London, UK
‘Design Without Exhibition’, South Kiosk Gallery, London, UK
2016
’est’, curated by Tommaso Trini, Galleria Lorenzo Vatalaro, Milan, Italy (solo)
‘WIP Show’, Royal College of Art, London, UK
‘RCASecret’, Royal College of Art, London, UK
2015
‘Machines of Loving Grace’, Performance Event by Harold de Bree and Mike Watson. ‘Jump into the Unknown’ – Official Collateral program — 56th Venice Biennale, Venice, Italy.
Bibliography:
20th Premio Cairo: ‘The New Talents Of Contemporary Art’, Milano: Cairo Editore, 2019
Mike Watson, ‘Skiing Home’, Milano: Tipografia Landoni, 2019
Tommaso Trini, ‘Nataliya Chernakova: “Est”, Torino: Umberto Allemandi, 2016
’Nine Dragon Heads: Jump Into the Unknown’, Collateral Event of the 56th International Art Exhibition La Biennale di Venezia 2015, Wroclaw: The Eugeniusz Geppert Academy of Art and Design, 2015
Awards, residencies:
In-Edita, DEDALO All Opera, Forte Marghera – 2020
Premio Cairo Shortlisted – 2019
Martin Foot Workshop (Pietrasanta, prov. Massa Carrara) Oct 2018 – Mar 2019
Santander Scholarship, Loughborough University, 2011–2012
Press:
https://milanoartguide.com/conversations/nataliya-chernakova-in-conversation-with-maud-greppi/
NYTimes, Thursday December 5, 2019: Laura Rysman, “Art Becomes Reality in Italy“. (p.S1, S4)
https://www.nytimes.com/2019/12/04/fashion/craftsmanship-pietrasanta-italy-marble-bronze-henry-moore.html?searchResultPosition=1
La Lettura / numero #416, Pierluigi Panza “Emergenti di Ieri e Oggi: Dove Va l’Arte?” (p.34-35)
Corriere Della Sera: https://www.corriere.it/sette/cultura-societa/19_novembre_15/emilio-isgro-scommetto-gli-artisti-piu-scomodi-981f3ee2-0635-11ea-a1df-d75c93ec44da.shtml
Arte, Novemer 2016, ‘Le Anime Sfumate di Grigio di Nataliya Chernakova’ (p.169)
http://www.arte.it/notizie/milano/nataliya-chernakova-una-luce-che-%C3%A8-una-promessa-dalla-russia-12083
http://www.internimagazine.it/news/agenda/nataliya-chernakova-est/?
http://www.artnoise.it/machines-loving-grace-limmagine-del-controllo-alla-biennale-di-venezia